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"South Carolina's Magnificent Historic Register Landmarks" Amazon eBooks
  • Upstate South Carolina
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destinyunknown  > Coastal South Carolina > Charleston County
Caption Source: The National Register of Historic Places Inventory Nomination Form; South Carolina Department of Archives and History
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Moving Star Hall

Moving Star Hall, built ca. 1917, is significant as the only remaining praise house of the South Carolina Sea Islands that has been identified. It functioned as the meeting place of the Moving Star Young Association, a religious, social, fraternal, and charitable community institution, and is significant for its role in preserving black music and religious and social/humanitarian traditions. Largely supplanted by churches after emancipation, the praise house represented a survival of a purely plantation institution into the early twentieth century. The praise house functioned as a community meeting hall, place of religious worship, center for spreading news, and face-to-face gathering place to promote community solidarity. The crudely built, one-story, rectangular, frame, weatherboarded building is set on low concrete block pillars and has a metal-covered gable roof. The façade has a hip-roofed porch, which originally had four wooden post supports and a plank floor. The posts have been replaced by two modern wrought iron uprights set at each forward corner. At the time the praise house was built, Johns Island was geographically isolated from the mainland. Until the mid-1970s, Moving Star Hall housed a “tend-the-sick” and burial society, a secret fraternal order, and a community of worship. One outbuilding, a privy, is located to the rear. Listed in the National Register June 17, 1982.
Nathaniel Russell House

The Nathaniel Russell House is an excellent example of the Adam style of architecture. Russell’s house was built when local carpenters had a decade of experience with the light and airy manner made popular by Robert Adam. His house has been called an exercise in ellipses, for from its free-flying stair to the wrought iron balconies, to the principal windows and doors, we find the expression of movement, combining in a contrast of forms. It was the last great house of the city’s post-revolutionary period. Built in 1809, the house is in the form of a rectangle, conforming partially to the outline of a single house, but with a strongly projecting four-sided bay which rises the full three stories of the central block of the house. Its face is dressed with marble window lintels, relief brickcourses, lovely bright red cutting brick arches above the windows of the second story, and topped with a paneled balustrade running fully about the central block and the south bay. The house is constructed of brick and has a hipped roof. The interior detail has all the delicacy and intricate ambition of the American version of the Adam manner. Slender double-encased pilasters in door and window architraves, Chippendale fret, anthemions, the iris, urns and swags, combine and enhance each other in both plaster and wood to give the rooms a most extraordinary refinement. Listed in the National Register August 19, 1971; Designated a National Historic Landmark November 7, 1973.
Old Courthouse

(Old Berkeley County Courthouse) Significant as one of the few examples of Victorian commercial architecture in the Mount Pleasant area and politically significant as county seat for Berkeley from 1884 to 1898. This building was built in 1884 and was used as the Courthouse until 1898 when Mount Pleasant was made part of Charleston County. In the years that followed it was used by both the Lutherans and the Baptists as a church. It is a two-story, rectangular, stucco over brick building, with large matching double stairways leading to the main entrance on the second floor. Stairs are concrete over brick, with granite siding. Beneath and between the stairs is a barrel vaulted entrance into the basement. The stairs mask the entire lower front of the building. The main floor is separated from the lower by a stuccoed course of brick. The walls of the main story are flat, unembellished stucco. The front area contains a double wooden door flanked by a pair of rectangular windows, one pair to a side. Listed in the National Register May 6, 1971.
Bethel Methodist Church

Bethel Methodist Church (built 1853-1854), located on the site of Charleston’s first Methodist church building, is an exceptional example of antebellum Greek Revival ecclesiastical architecture. Except for the rather steeply pitched roof, the church is one of the better examples of Greek Doric temple architecture in the state. Of stuccoed brick painted white, the building has a massive, giant-order hexastyle Doric portico with a simple Doric pediment and entablature. Designed by a Mr. Curtis, Bethel Church has pilastered walls, and there is one tier of large windows on each side of the structure; the building has a gabled roof and a main entrance which is pedimented with consoles. The roof is more steeply pitched than is usual in a Doric temple to allow rainwater to drain more quickly, thus helping to eliminate the possibility of leaks. The portico withstood the 1886 earthquake intact and stands today unaltered. The auditorium-plan interior has a cove ceiling. The church has a cemetery with crepe myrtles on the north side. Listed in the National Register November 20, 1974.
Old Marine Hospital

Robert Mills, the well-known federal architect, created a structure of charm and delicacy in Charleston’s Marine Hospital. The structure, constructed ca. 1833, is two stories above a raised basement. The roof is hipped and a double-tiered porch is located over an arcaded basement. The façade is seven bays wide. The subtle Gothic style with the token pointed arches, pointed windows, and the clustered columns, then was considered a fitting kind of environment for hospitals, which were associated with medieval monasteries. Even the double-tiered porch railing follows a medieval motif. The main entrance door has large fanlight and sidelights. The porticoes were an adaptation to climate and acted as weather controls. The building was originally double its present size, with two long wings projecting from the rear. These were removed because of extensive fire damage before the building was restored. Mills erected a number of marine hospitals around the country on much the same plan. They were established to take care of grounded seamen who became public charges. Listed in the National Register November 7, 1973; Designated a National Historic Landmark November 7, 1973.
Old Slave Mart

(Ryan’s Mart) The Old Slave Mart was originally a commercial building used for slave trading and other transactions from 1853 until the Civil War. The stuccoed building with its rounded arch entrance is a visual reminder of commercial activities of antebellum South Carolina. The building is probably the only extant building used as a slave auction gallery in antebellum South Carolina. The building, built in 1853, has elements of Gothic and Romanesque Revival architecture with its massive octagonal pillars and arched entrance. Built for former Charleston sheriff and alderman Thomas Ryan, the Mart was also used by other principal brokers (auctioneers) of the time. Alterations include extension of the rear of the building about 22 feet in 1922. In 1937 a wooden façade was inserted within the arch, a second floor added below the original roof, and the tile roof replaced with a tin roof. Following the Civil War, the building was used as a tenement house and about 1922 was converted into an automobile salesroom. Old Slave Mart Museum was established in 1937. The Mart originally included two additional lots and three additional buildings, a jail or “Barracoon” to house slaves prior to sale, a kitchen, and a morgue. The back two lots were cut off in 1875 and the jail, kitchen, and morgue were demolished in the 20th century. Listed in the National Register May 2, 1975.
Porter Military Academy

The Porter Military Academy property has served as an early burial ground, a United States Arsenal, a Confederate munitions foundry and weapons factory, a chapel, a school classroom building, and a school library. Its association with major events in Charleston’s early history, the Civil War and Reconstruction, and with important individuals give the property importance on numerous levels. The former artillery shed from the original range of the Arsenal dates from the late 1820s and was renovated into a Chapel, presently known as St. Luke’s, in the 1880s through the vision of the founder of Porter Military Academy, Dr. A. Toomer Porter, and the work of Holten Bell, a prominent African-American builder. Much of the nineteenth century brick wall surrounding the complex is the work of the latter contractor. Colcock Hall, a two-story brick building constructed in 1862, is one of two known buildings in South Carolina constructed by the Confederate government for military uses. The Waring Library, formerly known as the Hoffman Library, is a unique example in South Carolina of an octagonal, Gothic Revival edifice designed by a prominent New York architect, John Butler Snook, for the Porter Military Academy with the influence of its donor, Reverend Charles Frederick Hoffman, a leading clergyman in New York City was built in 1894. The whole site in its present form is also significant for its association with Dr. Porter, a leading clergyman and educator in nineteenth century Charleston and an important figure in its antebellum and postbellum society. Listed in the National Register June 21, 1996.
Powder Magazine

The Powder Magazine is a visible reminder of the era of the Lord Proprietors and their founding government of the Carolinas, of the fortifications which protected the city and made Charleston one of three fortified cities on the eastern seaboard of British Colonial America. It is the oldest public building in the state of South Carolina. Originally, the Powder Magazine was a brick building with a four-sided pyramidal roof intersected by two gables on each side. The roof tile is a Mediterranean type similar to that used on some of Charleston’s oldest buildings. This magazine was completed in 1713. Shortly after completion, it was found not to be sufficient to preserve the powder from rain. Repairs were made in 1717, and in 1719 the magazine was used as a storage place for public powder, as well as storage for all merchants and individuals in the city who sold powder. Further repairs were completed by 1740, when the building was stuccoed. The walls are 32 inches thick and interior walls have original brick finish. The original floor was likely packed earth or brick. The one main room is approximately 27 ft. by 27 ft. and has a central column formed by the descending arches of the vaulted ceiling. During the Revolutionary War the magazine was again used as a public magazine. Listed in the National Register January 5, 1972; Designated a National Historic Landmark September 27, 1989.
Presqu’ile

Presqu’ile is among Charleston’s finest examples of Adam style architecture, featuring a distinct floor plan, and notable interior details. Additional significance is derived from its associations with several prominent South Carolinians. It is believed that the house was constructed between 1802 and 1808 by Jacob Belser. Circa 1840 a large three-story wing was added to its northeast corner. The structure features fine Adam style woodwork, including mantels, cornice moldings, and wainscoting. The structure also features a distinctive floor plan with one room on each of the first two floors. The circular staircase is also notable. The original portion of the structure features a two-story piazza extending along three facades. On the ground level, simple stucco-over-brick columns rest on a piazza paved with flagstone. The columns on the second (main) floor are smaller and wooden. The second-story piazza also features a wooden balustrade. An off-centered single door with a four light transom opens onto both piazzas. The gable roof is covered by tin and features a pediment with lunette. The gable ends of the roof have wood siding and dentil molding. The eastern gable also features a Palladian window. Listed in the National Register December 8, 1978.
Old Marine Hospital

Robert Mills, the well-known federal architect, created a structure of charm and delicacy in Charleston’s Marine Hospital. The structure, constructed ca. 1833, is two stories above a raised basement. The roof is hipped and a double-tiered porch is located over an arcaded basement. The façade is seven bays wide. The subtle Gothic style with the token pointed arches, pointed windows, and the clustered columns, then was considered a fitting kind of environment for hospitals, which were associated with medieval monasteries. Even the double-tiered porch railing follows a medieval motif. The main entrance door has large fanlight and sidelights. The porticoes were an adaptation to climate and acted as weather controls. The building was originally double its present size, with two long wings projecting from the rear. These were removed because of extensive fire damage before the building was restored. Mills erected a number of marine hospitals around the country on much the same plan. They were established to take care of grounded seamen who became public charges. Listed in the National Register November 7, 1973; Designated a National Historic Landmark November 7, 1973.
Old Marine Hospital

Robert Mills, the well-known federal architect, created a structure of charm and delicacy in Charleston’s Marine Hospital. The structure, constructed ca. 1833, is two stories above a raised basement. The roof is hipped and a double-tiered porch is located over an arcaded basement. The façade is seven bays wide. The subtle Gothic style with the token pointed arches, pointed windows, and the clustered columns, then was considered a fitting kind of environment for hospitals, which were associated with medieval monasteries. Even the double-tiered porch railing follows a medieval motif. The main entrance door has large fanlight and sidelights. The porticoes were an adaptation to climate and acted as weather controls. The building was originally double its present size, with two long wings projecting from the rear. These were removed because of extensive fire damage before the building was restored. Mills erected a number of marine hospitals around the country on much the same plan. They were established to take care of grounded seamen who became public charges. Listed in the National Register November 7, 1973; Designated a National Historic Landmark November 7, 1973.
Old Marine Hospital

Robert Mills, the well-known federal architect, created a structure of charm and delicacy in Charleston’s Marine Hospital. The structure, constructed ca. 1833, is two stories above a raised basement. The roof is hipped and a double-tiered porch is located over an arcaded basement. The façade is seven bays wide. The subtle Gothic style with the token pointed arches, pointed windows, and the clustered columns, then was considered a fitting kind of environment for hospitals, which were associated with medieval monasteries. Even the double-tiered porch railing follows a medieval motif. The main entrance door has large fanlight and sidelights. The porticoes were an adaptation to climate and acted as weather controls. The building was originally double its present size, with two long wings projecting from the rear. These were removed because of extensive fire damage before the building was restored. Mills erected a number of marine hospitals around the country on much the same plan. They were established to take care of grounded seamen who became public charges. Listed in the National Register November 7, 1973; Designated a National Historic Landmark November 7, 1973.
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Keywords: hospital marine south carolina south carolina national historic register historic landmarks of south carolina's coast charleston county's historic register landmakrs
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